000062099 001__ 62099
000062099 005__ 20190709135504.0
000062099 0247_ $$2doi$$a10.1121/1.4998721
000062099 0248_ $$2sideral$$a101219
000062099 037__ $$aART-2017-101219
000062099 041__ $$aeng
000062099 100__ $$aFazenda, Bruno
000062099 245__ $$aCave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response
000062099 260__ $$c2017
000062099 5060_ $$aAccess copy available to the general public$$fUnrestricted
000062099 5203_ $$aDuring the 1980 s, acoustic studies of Upper Palaeolithic imagery in French caves—using the technology then available—suggested a relationship between acoustic response and the location of visual motifs. This paper presents an investigation, using modern acoustic measurement techniques, into such relationships within the caves of La Garma, Las Chimeneas, La Pasiega, El Castillo, and Tito Bustillo in Northern Spain. It addresses methodological issues concerning acoustic measurement at enclosed archaeological sites and outlines a general framework for extraction of acoustic features that may be used to support archaeological hypotheses. The analysis explores possible associations between the position of visual motifs (which may be up to 40 000 yrs old) and localized acoustic responses. Results suggest that motifs, in general, and lines and dots, in particular, are statistically more likely to be found in places where reverberation is moderate and where the low frequency acoustic response has evidence of resonant behavior. The work presented suggests that an association of the location of Palaeolithic motifs with acoustic features is a statistically weak but tenable hypothesis, and
that an appreciation of sound could have influenced behavior among Palaeolithic societies of this region.
000062099 540__ $$9info:eu-repo/semantics/openAccess$$aby$$uhttp://creativecommons.org/licenses/by/3.0/es/
000062099 590__ $$a1.605$$b2017
000062099 591__ $$aAUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY$$b14 / 25 = 0.56$$c2017$$dQ3$$eT2
000062099 591__ $$aACOUSTICS$$b16 / 31 = 0.516$$c2017$$dQ3$$eT2
000062099 592__ $$a0.695$$b2017
000062099 593__ $$aAcoustics and Ultrasonics$$c2017$$dQ1
000062099 593__ $$aArts and Humanities (miscellaneous)$$c2017$$dQ2
000062099 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000062099 700__ $$aScarre, Chris
000062099 700__ $$aTill, Rupert
000062099 700__ $$aJiménez Pasalodos, Raquel
000062099 700__ $$aRojo Guerra, Manuel
000062099 700__ $$aTejedor, Cristina
000062099 700__ $$aOntañón Peredo, Roberto
000062099 700__ $$aWatson, Aaron
000062099 700__ $$aWyatt, Simon
000062099 700__ $$0(orcid)0000-0001-8062-2245$$aGarcía Benito, Carlos
000062099 700__ $$aDrinkall, Helen
000062099 700__ $$aFoulds, Fredericks
000062099 773__ $$g142, 3 (2017), 1332-1349$$pJ. Acoust. Soc. Am.$$tJOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA$$x0001-4966
000062099 8564_ $$s909542$$uhttps://zaguan.unizar.es/record/62099/files/texto_completo.pdf$$yVersión publicada
000062099 8564_ $$s92603$$uhttps://zaguan.unizar.es/record/62099/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000062099 909CO $$ooai:zaguan.unizar.es:62099$$particulos$$pdriver
000062099 951__ $$a2019-07-09-11:48:00
000062099 980__ $$aARTICLE